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Ethel was executed in 1953...she was innocent...she was at the eye of the storm of Mccarthyism....an icon...this drawing is taken from a rare photo of her during WW2..I love her look of determination and bravery...and the fact that the profile shot is portent of her looking bloated and stressed in her horrible, pitiless mugshot a decade later...her children have rightly been tireless in their efforts to have her rightfully exonerated...a great shame Obama got close but ultimately didn't have the balls to do it...or stand up to Assad either, for that matter
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Into the light - 15-06-17 Enter the gloom! I wanted to delve into the darkness and bring a woman back into the light. With a little help from my friend Look J. Boden for the excellent photography and the top class model that stood for us. Pastel drawing on Canson Mi-Teintes Touch paper (50 x 70 x 0.1 cm) Artist: Corné Akkers
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Sale!Mixer media on paper 50 x 70 cm
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Sale!Mixer media on paper. 30 x 30 cm
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Roundism - 10-05-17
A pastel variety on the previous drawing 'Roundism - 02-05-17' in which I tried to match the found styled forms to a colour scheme that would match them. It was a hell of a job to balance them all.
Pastel drawing on Canson Mi-Teintes Touch paper (50 x 65 x 0.1 cm)
Artist: Corné Akkers
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Out of stock
Roundism - 29-05-17 (sold)
A pastel version of the graphite pencil drawing 'Roundism - 26-05-17'. I used the primary colours red, yellow and blue to honor 'De Stijl', a dutch art movement that celebrates its 100 birthday this year. Mondriaan was all about moving about planes and lines in his ever search for the perfect composition. I think I will work out the previously described principle of singularity in works to come. By singularity I mean that curves approach straight lines or planes without ever touching them.
Pastel drawing on Canson Mi-Teintes Touch paper (50 x 65 x 0.1 cm)
Artist: Corné Akkers
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Roundism (singularity) - 05-06-17
A pastel version of the graphite pencil drawing 'Roundism (singularity) 01-06-17'. This is a first worked out principle of singularity. By singularity I mean that curves approach straight lines or planes without ever touching them.
Pastel drawing on Canson Mi-Teintes Touch paper (50 x 65 x 0.1 cm)
Artist: Corné Akkers
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Julia – 02-08-19 Last year I used dancer Julia Gómez Avilés as a model. Next to being a wonderful person for an artist she is ideal because of her flexibility. She can pose in many ways and has lots of stamina. This drawing is not from a live drawing session but based on a picture I saw in her Instagram account. I wanted to do this one because of the extreme pose and the challenge to render her complex body position in a credible way while still adding value to the theme. The drawing shows elements of roundism, realis mand surrealism. Graphite pencil drawing (Pentel 0.5 mm, 3B) on Canson Bristol paper (21 x 29.7 x 0.1 cm) - A4 format) Artist: Corné Akkers
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Sale!20 x 25,9 cm October 2016 Watercolor, watercolor pencils, ink
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Roundism – 17-09-18 This is the fourth drawing of model Julia Gómez Alivés in which I combined my roundism with colors. I washed them a little bit with a Sakura water brush that works like a fountain pen. I am not a great watercolorist and since this technique is pretty new to me these watercolor pencils allowed me to take a position between a colored pencil drawing and a watercolour painting. Perhaps I do more in the future. Watercolor pencil drawing (Faber Castell – Albrecht Dührer) on Strathmore Drawing paper (21 x 29.7 x 0.1 cm - A4 format) Artist: Corné Akkers
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Julia – 11-09-18 The third drawing of Julia Gómez Avilés rendered with colour pencils. Last week I bought a great collection of Prismacolour pencils that brought me great joy using them. I used one of the reference pictures I took during the session with Julia last August and employed some styles like impressionism, cubism and realism and combine them. Due to my pointillistic lines that through the process of divisionism create merged colour impressions, I could not use brownish and greyish pigments. The result would otherwise appear to become mud. The result is also luministic I think. Colour pencil drawing (Pentel 0.5 mm, 3B) on Strathmore Drawing paper (21 x 29.7 x 0.1 cm - A4 format) Artist: Corné Akkers
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Sans titre – 30-07-18 I was captured by the high lights at the top and the bottom and decided to keep the planes straight, putting the stress on the rough edged character of the figure. I also didn’t straighten out much of the lines and planes for that reason, keeping it a kind of worked out sketch rather than to refine and soften it too much. Graphite pencil drawing (Pentel 0.5 mm, 3B) on Canson Bristol paper (21 x 29.7 x 0.1 cm) - A4 format) Artist: Corné Akkers
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Roundism – 10-03-18 The challenge was to create maximum flow but still maintain a recognizable female figure. Therefore I wanted no section crossing another in order to create a feel of weightlessness. I beefed up the tonality a little bit in order to get some more figuration and to avoid that the overall drawing would appear to be shallow. The bubbles and fingers were added in order to relate the spectator to the image and still be able to enjoy abstract body forms. Graphite pencil drawing (Pentel 0.5 mm, 3B) on Strathmore Bristol paper (21 x 29.7 x 0.1 cm) - A4 format) Artist: Corné Akkers