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April Echoes is a large green woodland contemporary landscape oil painting of a distant lake seen through the trees of a woodland path. The painting is mostly made up of shades of bright green ranging from yellow greens through to dark viridians, purples and blues. The saplings and trees are dressed in the bright vibrant greens of springtime in England. This painting was inspired by a walk I took around Ardingly reservoir in Sussex. Woodland paths are a very constant source of inspiration for me as you never know where they will lead and what is across the next field, through the next wood and over the next style. It is exciting and you often come across deer, birds and other woodland creatures which adds to experience. This painting was made by blurring the edges of it to look out of focus whilst making the paint thicker and thicker towards the centre. The white of the glimpse of the lake is thickest of all which gives a 3D feeling of walking the path thought the trees and past the foxgloves and other woodland flowers. I dedicate this to everyone who is waiting for the grey winter to give way to spring again. Painted on 3D canvas, white edges, ready to hang, no frame needed. Video at: https://youtu.be/3wWrVzpRzxI -
Memory of Spring is a 40x40x1.5 inches large semi abstract oil painting of an English bluebell wood in springtime. It was inspired by the bluebells, wildflowers and pink blossom you see in patches of woodland around Sussex in April and May every year. Although it is contemporary in painting style, it still hints quite well at the flowers and yellow green saplings and trees of spring. It was painted from memory, as most of my landscapes are, as that tends to distill the composition and details right down to simplicities making the feeling of the painting and the magical element of forests and trees more prevalent than the botanical details. I love the fairy tale ancient landscapes of England and the magic quality you can find in forest clearings and fields and I never tire of trying to capture this fascination in the paintings that I make. The painting has white edges, ready to hang, no frame needed. https://www.youtube.com/watch?v=l1vLQRtLpnE -
Assembling Horse is a large original equine oil painting (47x32x0.5 inches) of an art nouveau, semi abstract, golden purple horse assembling out of nothing. The inspiration for this painting was simply that I find horses very beautiful and I sometimes just need to indulge in painting one just to feel happy. This horse is being created out of golden particles assembling out of the ether. I like this idea as all life forms are basically assembled from smaller particles so all I am doing here is showing the process in a more fanciful way. The horse is painted realistically around the eye and parts of its face in contrast to other parts of her which are partially formed, transparent or decorated for no particular reason other than it looks pleasing to me. The colours range through dark blue, purples, lilacs, golds and pinks and is thin and transparent in places and thick in others which further add to the idea of the horse in the process of appearing. I am a great fan of the artist Gustav Klimt and this possibly shows in this painting as he too liked to contrast realistic with abstract and decorativeness in the way that I am doing here. It is painted on thin canvas, edges white, ready to hang. -
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Spirit of Spring, 40x40x1.5 inches oil on canvas of a blue stag in a spring wood. The blue stag stands to the right looking back at us. He is forming out of the forest and the hint of bluebell and woodland flowers in and around him. He is transparent in some places and corporeal in other, hence the name spirit of spring. He was born in the forest, eats the product of it and is therefore created to a degree by it. The landscape itself is semi abstract and is mostly of the blues and greens you see in English woodland in April and May. I painted it after walking in woodland in the Sussex area and tried to capture the sheer abundance of new life I saw while walking. I love the colours and scent of bluebells and other wildflowers and the enthusiasm that nature has at that time of year. I did not see the stag but I did hear him bellowing (which was scary). Clearly I was in his forest and he was letting me know. Spring as a season fascinates me as it vibrates with an exuberant energy as every plant, insect, bird and animal goes into action. I tried to capture this feeling in this painting and am pleased with the result. The stag is there because the deer are the kings and queens of the wood. The canvas is deep edge, white edges, ready to hang, no frame needed. -
Crystal Sea Angels is 40x40x1.5 inches large oil painting of an underwater seascape of three queen angel fish swimming in formation. The three fish swim like ballet dancers and are intent on a purpose we cannot see. The surface of the blue sparkling water of the ocean can be seen above them rippling in small waves and the light twinkles through the waves and makes fleeting patterns on the rippled sandy seabed. The sand is multi-coloured like the sands around Barbuda and Barbados where pink coral has coloured the sand pink. I chose the angel fish for this composition because they are beautifully coloured and look as if the back ground of the pink sand and the turquoise blue sea was made just for them. Which possibly it was. This is another in a series of underwater seascapes that I have been painting with very fond memories of snorkelling in the Caribbean. I paint one of these every year as winter draws in to help me retain the essence of summertime and holiday feelings. It is painted on deep edge canvas, edges white, ready to hang. -
Seeing Beyond is 48x36x1.5 inches large oil on canvas painting, semi abstract art nouveau style dreamscape. The painting shows a view through a golden curtain where the gap is forming a distorted number eight or infinity symbol. Through this shape there is a white stag looking out over a lake with a waterfall and blossom trees all around him. Up in the tree on the left is a white raven. The gold curtain is transparent so you can see this other world through it. I have always believed in other universes and other realities and this is a painting that tries to show this in an aesthetically pleasing way (I hope). The white stag and the white raven are there to add a little a mystery and have their own story to tell. I am particularly happy with the change in colours between the gold curtain which is quite warm and colder colours of the landscape beyond as it adds another aspect again to a slightly strange fairy tale type painting. It is painted on deep edge canvas, white edges, ready to hang. https://youtu.be/LkZdPykA32Q -
The Herald is a large, 36x48x1.5 inches, oil on canvas painting of a red deer stag in an autumn forest. The painting takes the viewer down a path through the autumn trees with vibrant coloured bracken and leaves to either side. The stag stands to the left watching. He is the herald of autumn and he has made his claim on the autumn forest. At the end of the path the light shines through the trees so brightly that you can't see what is beyond them. But it is something beautiful. The colours are very bright autumn colours ranging from deep purple through to wine, orange, yellow, lilac and blue. It has been built up using thick, generous layers of paint and is expressionist and expressive in style. I painted it after a few October walk in the Ashdown Forest where I saw these colours in the trees and heather and ferns as well as the occasional deer spotted in the distance. It is painted on deep edge canvas, white edges, ready to hang, no frame needed. -
E THE PUDDLE | 25x11x8 | ceramics | 25x11x8 | ceramics -
WITH TIME | 26x9x4 | ceramics / wood
