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Epiphany is a large oil painting 40x40x1.5 inches in very thick Van Gogh type paint of a dark forest and a beautiful sunny clearing beyond it. -
The Chalk Path is an oil painting of a winding white chalk path through the Sussex countryside in springtime. It is 30x30x1.5 inches and was painted from my memory as I recalled a walk up the South Downs near Ditchling last spring. The path winds through fields and meadows and wildflowers up towards the ridge of hills that make up the Downs in the distance. There is a pink and purple blossom tree on the left among the hedgerows and gorse bushes. The edges of the painting are blended and blurred and the centre of it has bigger and bolder brush strokes to give the feeling of looking into a memory and drawing you into the landscape. One of the things that makes me love paintings is the fact that you can be somewhere else in an instant when you look at one. I liked being here and I am happy that I have captured a moment of my life that I loved and hopefully will make a few other people happy too. Painted on deep edge canvas, white edges, ready to hang. https://youtu.be/8hKLYs2BOHE -
Spring Orchard is an original oil painting of pink and white apple blossom trees in an orchard by a stream. The inspiration for the painting was of an orchard I found last May near Forest Row in Sussex. The style is contemporary, art nouveau and expressionistic was and was made by blending thick layers of paint over and over again and adding more and more colours and paint daubs until the paint is extra thick in the centre. I kept the edges blurred to help with the effect of it being a painting of a memory. The colours are pale greens, whites and pinks. This place was magical and I wanted to capture a little of the moment. I would not have been surprised to see mythical creatures appear in the fields beyond the stream but instead was happy just to listen to the birds who love May even more that I do. This painting is 30x30x1.5 inches and is painted on deep edge canvas, white edges, no frame needed. https://youtu.be/X1OsVWyDsOI -
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The White Hart’s Portal is an original oil painting of a white deer stag appearing out of an abstract landscape (30x30x1.5 inches). The white deer looks to his right across the strange pale yellow and amethyst land. Behind him are trees that are weaving together as if they unknotted to allow him through. This is his portal (doorway) to elsewhere. The paint is thick and textured but the stag himself is carefully painted to contrast with the oddness of the environment he finds himself in. If I had to choose an animal that could possibly move between worlds, it would be deer. This particular deer is a real one and he lives at the British Wildlife Centre in Surrey where I stalked him one day to get photos of him. Painted on 3D canvas, edges white, ready to hang. -
Out of stock
The Glade is an original oil on canvas Sussex landscape painting of a green woodland glade by a stream next to apple blossom trees in springtime. It is 24x30x0.75 inches. The outer edges of the painting have been deliberately blurred so that the viewer is drawn into the centre to see the blossom trees growing by a riverbank. The centre of the painting is painted in more definite brush strokes which gives a sharper 3D effect. The blossom is white and pink and behind them you can see a field and the suggestion of more trees in the distance. It looks a little like a fairy tale but this was me playing that down (believe it or not). The inspiration for this painting was an actual place near where I live between Forest Row and Hartfield. It is the view of a small stream that runs into the Medway River a bit further along. The colours are muted greens, pinks, yellows and white. It is painted on thin canvas with white edges. A frame would complement it but is not necessary. Video: https://youtu.be/EzRd2qyjZU4 -
Portent, original, square oil painting, autumn landscape path, sunset, deer stag, Ashdown Forest, Crowborough Sussex, Kent, woodland animals, ethereal, appear, vanish, spirit guides, enchanted, mystery, magic, fairy tale, ancient landscapes, trees, forest clearings, Gill Bustamante paintings, sussex artist, local artist, inspirational paintings, spiritual paintings, mystical woodland paintings, forests and trees, woodland scenes, forests and trees, woodland scenes, fairy tale landscapes, semi-abstract landscape, forests, nature, abstract, original paintings, countryside -
April Echoes is a large green woodland contemporary landscape oil painting of a distant lake seen through the trees of a woodland path. The painting is mostly made up of shades of bright green ranging from yellow greens through to dark viridians, purples and blues. The saplings and trees are dressed in the bright vibrant greens of springtime in England. This painting was inspired by a walk I took around Ardingly reservoir in Sussex. Woodland paths are a very constant source of inspiration for me as you never know where they will lead and what is across the next field, through the next wood and over the next style. It is exciting and you often come across deer, birds and other woodland creatures which adds to experience. This painting was made by blurring the edges of it to look out of focus whilst making the paint thicker and thicker towards the centre. The white of the glimpse of the lake is thickest of all which gives a 3D feeling of walking the path thought the trees and past the foxgloves and other woodland flowers. I dedicate this to everyone who is waiting for the grey winter to give way to spring again. Painted on 3D canvas, white edges, ready to hang, no frame needed. Video at: https://youtu.be/3wWrVzpRzxI -
Memory of Spring is a 40x40x1.5 inches large semi abstract oil painting of an English bluebell wood in springtime. It was inspired by the bluebells, wildflowers and pink blossom you see in patches of woodland around Sussex in April and May every year. Although it is contemporary in painting style, it still hints quite well at the flowers and yellow green saplings and trees of spring. It was painted from memory, as most of my landscapes are, as that tends to distill the composition and details right down to simplicities making the feeling of the painting and the magical element of forests and trees more prevalent than the botanical details. I love the fairy tale ancient landscapes of England and the magic quality you can find in forest clearings and fields and I never tire of trying to capture this fascination in the paintings that I make. The painting has white edges, ready to hang, no frame needed. https://www.youtube.com/watch?v=l1vLQRtLpnE -
Assembling Horse is a large original equine oil painting (47x32x0.5 inches) of an art nouveau, semi abstract, golden purple horse assembling out of nothing. The inspiration for this painting was simply that I find horses very beautiful and I sometimes just need to indulge in painting one just to feel happy. This horse is being created out of golden particles assembling out of the ether. I like this idea as all life forms are basically assembled from smaller particles so all I am doing here is showing the process in a more fanciful way. The horse is painted realistically around the eye and parts of its face in contrast to other parts of her which are partially formed, transparent or decorated for no particular reason other than it looks pleasing to me. The colours range through dark blue, purples, lilacs, golds and pinks and is thin and transparent in places and thick in others which further add to the idea of the horse in the process of appearing. I am a great fan of the artist Gustav Klimt and this possibly shows in this painting as he too liked to contrast realistic with abstract and decorativeness in the way that I am doing here. It is painted on thin canvas, edges white, ready to hang.
