• The Revelation of Bettie Page (2018) In this painting I tried to work out some grand themes: sex and religion. There is nothing more to say about the ‘what’. About the ‘how’ I would like to mention Johannes Itten who spoke on balance in all sorts of contrasts so eloquently. I tried to balance the big themes and the details just like Jan van Eyck did in his famous painting ‘Madonna of Chancellor Rolin’. I always was fascinated by its mechanisms: the main theme of the Madonna worshipped by Rolin is the painting 1.0. For spectators who want to see more there is the painting 2.0: a landscape and a city full of activity but it does not interfere with the 1.0. This is what I wanted for my painting as well and I hope it it will serve as an hommage to the arts and crafts of the old masters in these days of artistic confusion all around us. Oil on wood panel (85 x 120 x 0.9 cm) Artist: Corné Akkers
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    The return of the dutch elephants (@ Gouda) - 12-07-17

     

    Some time ago I saw a cloud that perfectly looked like a baby elephant. I got the idea to draw the canal realistally and transcend into a more abstract mid-section (trees in my roundism style) and end in a surrealistic scene, thus combining impressionism, realism, cubism, roundism and surrealism.

     

    Graphite pencil drawing (Pentel 0.5 mm, 3B) on Strathmore Bristol paper (21 x 29.7 x 0.1 cm - A4 format)

     

    Artist: Corné Akkers

     
  • The Ravens Quest is a 40x40 inches large original oil painting on canvas of ravens flying high above a Sussex winter landscape intent on a quest. The style is slightly playful, semi abstract with lots of interesting shapes and bright art nouveau type colours. I often walk around in fields between Forest Row, and Hartfield, in Sussex, and there is a large rookery I often pass which fascinates me and inspired this painting. Ravens, crows and birds generally are the background sound many of us hear all the time but often do not register it as we blank it out - as we do traffic noise. However I can't help wondering what these intelligent birds are saying. Another influence to this painting was a story I saw in the news recently about a girl who receives gifts from crows when she feeds them. I am sure there is more to ravens and crows than we so far know and this is why this painting has a slightly mystical, fairy story narrative to it. I don't know what the ravens quest is but I am sure they have one! This painting is dedicated to birds - my life is better for them - and their continuous background chatter and song - I hear the Elbow song 'The Birds' as I look at it :-) Painted is on deep edge canvas with white edges and is ready to hang.
  • E THE PUDDLE | 25x11x8 | ceramics | 25x11x8 | ceramics
  • The Promise is a 40x40x1.5 inches large woodland bluebell abstract oil painting on deep edge canvas, white edges, ready to hang. The style is expressionist and abstract and was made using both blending techniques and thick impasto paint to give the impression of the colours and shapes of a forest clearing with bluebells and light through the trees behind them. The colours are muted blues, lilacs, greens and pinks and represent a memory impression of mine of bluebell woods in Sussex in Springtime. As with many of my woodland path and clearing paintings, there is a hint of the possibility of revelation and magic. That is because woodland walks always give me the feeling that magic exists and that I may find exactly what I want just around the next bend. Oil paint has the lovely quality of reflecting different textures and hues as the sun moves around the room. This one is no different and seems to act like a real woodland glade in April as the light changes and even though it is not 'realistic' as such, it nevertheless gives a definite feeling of the beautiful fleeting moment in Spring when bluebells flood the woodlands of England.
  • Mixed media drawing on Rives BFK 100% rag paper.
  • Acrylic, graphite, color pencil on 100% rag Rives BFK paper.
  • Part of an ongoing series of drawings of figures from antique postcards.
  • The Owls Wood

    $1,269.62
    The Owls Wood is 30x30x1.5 inches oil painting on canvas in contemporary art nouveau style of a white owl in an autumn wood. The painting shows a view along an autumn path through rows of trees vanishing in the distance. Autumn colours of greens, yellows, reds and oranges can be seen through white branches and the owl floats behind them in stealth mode as owls do. She is silent and deadly and beautiful and she owns this little forest. The paint is thick and luxurious and is reminiscent of stained glass. The painting started life as a more traditional autumn forest path painting but needed something extra so I added more as I like layers and the idea of things being hidden and then revealed. The painting is dedicated to owl lovers and anyone helping to keep our English forests ancient and beautiful and safe for their wildlife. It was inspired simply by how happy walks in Sussex landscapes make me and my quest to actually see a white barn owl in one of my walks which I am yet to do. https://youtu.be/z1yENZxLiqU
  • Oil on canvas - 100 x 80 cm.
  • Original oil on canvas 100 x 70 cm
  • The Martyr

    $1,276.00
    60 x 80 cm November 2015 Acrylic paints on canvas
  • Sale!
    O pequeno alado e a flor O pequeno alado e a flor - Peso: 5 kg - tamanho: 45 largo por 58 acrílico alto em madeira - ano 2014
  • The Kiss

    $153.12
    4,8 x 18,4 cm April 2015 Watercolor, watercolor pencils, ink
  • Sale!

    THE INVINCIBLE

    $6,380.00
    Непобедимый год.
  • The Herald

    $1,914.00
    The Herald is a large, 36x48x1.5 inches, oil on canvas painting of a red deer stag in an autumn forest. The painting takes the viewer down a path through the autumn trees with vibrant coloured bracken and leaves to either side. The stag stands to the left watching. He is the herald of autumn and he has made his claim on the autumn forest. At the end of the path the light shines through the trees so brightly that you can't see what is beyond them. But it is something beautiful. The colours are very bright autumn colours ranging from deep purple through to wine, orange, yellow, lilac and blue. It has been built up using thick, generous layers of paint and is expressionist and expressive in style. I painted it after a few October walk in the Ashdown Forest where I saw these colours in the trees and heather and ferns as well as the occasional deer spotted in the distance. It is painted on deep edge canvas, white edges, ready to hang, no frame needed.
  • THE GIRL: COLLEGIATE A garota: colegiada -Acrylic on wood - ano: 2017 -Tamanho: Altura 35 - 24 Largura
  • "The dream of the butterfly". The technique used is GRAPO.
  • The Discovery

    $1,531.20
    The adventurer under the sea is a 40x40x1.5 inches oil painting of under the ocean with a single threadfin butterfly fish. The fish is very small in the big blue sea and is very intent of his purpose. He is solo and is he free. Above him his yellows and purples are reflected in the surface of the water. Light sparkles and shines through the turquoise waves and ripple along the bottom of the rainbow coloured ocean sand. This painting as another in a series of seascapes inspired by a Caribbean holiday spent mostly face down in the sea snorkeling. But it is also about the feeling of freedom and space that I love so much about the sea. It is dedicated to anyone starting on a new course in life. Painting on deep edge canvas, white edges, ready to hang.
  • A snapshot inspired by the big skies and flat fenland countryside.
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    The Court's Pond (De Hofvijver) - 07-04-17

     

    Situated in the heart of The Hague (Den Haag) next to the Tweede Kamer (dutch Parliament). I wanted to break up the scene into circles, planes and triangles.

     

    Graphite pencil drawing (Pentel 0.5 mm, 3B) on Canson Bristol paper (21 x 29.7 x 0.1 cm - A4 format)

     

    Artist: Corné Akkers

     
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