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Julia – 02-08-19 Last year I used dancer Julia Gómez Avilés as a model. Next to being a wonderful person for an artist she is ideal because of her flexibility. She can pose in many ways and has lots of stamina. This drawing is not from a live drawing session but based on a picture I saw in her Instagram account. I wanted to do this one because of the extreme pose and the challenge to render her complex body position in a credible way while still adding value to the theme. The drawing shows elements of roundism, realis mand surrealism. Graphite pencil drawing (Pentel 0.5 mm, 3B) on Canson Bristol paper (21 x 29.7 x 0.1 cm) - A4 format) Artist: Corné Akkers -
Roundism – 17-09-18 This is the fourth drawing of model Julia Gómez Alivés in which I combined my roundism with colors. I washed them a little bit with a Sakura water brush that works like a fountain pen. I am not a great watercolorist and since this technique is pretty new to me these watercolor pencils allowed me to take a position between a colored pencil drawing and a watercolour painting. Perhaps I do more in the future. Watercolor pencil drawing (Faber Castell – Albrecht Dührer) on Strathmore Drawing paper (21 x 29.7 x 0.1 cm - A4 format) Artist: Corné Akkers -
Summer in Holland – 25-07-18 In the dead of summer it is so hot here in The Hague I had double vision. That is why I serve two women for the price of one. Graphite pencil drawing (Pentel 0.5 mm, 3B) on Canson Bristol paper (21 x 29.2 x 0.1 cm) Artist: Corné Akkers -
Sans titre – 30-07-18 I was captured by the high lights at the top and the bottom and decided to keep the planes straight, putting the stress on the rough edged character of the figure. I also didn’t straighten out much of the lines and planes for that reason, keeping it a kind of worked out sketch rather than to refine and soften it too much. Graphite pencil drawing (Pentel 0.5 mm, 3B) on Canson Bristol paper (21 x 29.7 x 0.1 cm) - A4 format) Artist: Corné Akkers -
Roundism – 10-03-18 The challenge was to create maximum flow but still maintain a recognizable female figure. Therefore I wanted no section crossing another in order to create a feel of weightlessness. I beefed up the tonality a little bit in order to get some more figuration and to avoid that the overall drawing would appear to be shallow. The bubbles and fingers were added in order to relate the spectator to the image and still be able to enjoy abstract body forms. Graphite pencil drawing (Pentel 0.5 mm, 3B) on Strathmore Bristol paper (21 x 29.7 x 0.1 cm) - A4 format) Artist: Corné Akkers -
Gouda - 30-06-17
A view on the Sint Janskerk from Museum Gouda at Gouda, Zuid-Holand, Netherlands. I noticed the branches of the tree in the front mimicing the direction of the stained glass windows of the church, perfectly matching my theory on singuarity of curved lines not touching straight lines into eternity.
Graphite pencil drawing (Pentel 0.5 mm, 3B) on Strathmore Bristol paper (21 x 29.7 x 0.1 cm - A4 format)
Artist: Corné Akkers
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Roundism - 25-04-17
Part of the roundism series, in which I wanted to keep a big part of the body open and indicate and style only a portion of the shades.
Graphite pencil drawing (Pentel 0.5 mm, 3B) on Canson Bristol paper (21 x 29.7 x 0.1 cm) - A4 format)
Artist: Corné Akkers
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Roundism - 10-05-17
A pastel variety on the previous drawing 'Roundism - 02-05-17' in which I tried to match the found styled forms to a colour scheme that would match them. It was a hell of a job to balance them all.
Pastel drawing on Canson Mi-Teintes Touch paper (50 x 65 x 0.1 cm)
Artist: Corné Akkers
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Roundism - 02-05-17
Part of the roundism series. I was fascinated by the squares and round forms I detected in the body.
Graphite pencil drawing (Pentel 0.5 mm, 3B) on Canson Bristol paper (21 x 29.7 x 0.1 cm) - A4 format)
Artist: Corné Akkers
