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Out of the Forest is a large oil painting, 36x48x1.5 inches, of a view through the trees of the Ashdown Forest in Sussex to the heathland and fields beyond. It was inspired by the fact that I live very close to the forest and often walk there. The reality of this painting is a little strange. I wanted it to contrast being ‘realistic’ as well a little abstract and have therefore experimented by adding extra shapes and layers and hinting at other things but without losing the overall feeling of a warm golden space under the pine trees contrasted against the colder colours, blues and green of the landscape beyond. To the right of the painting a small deer stag can be seen looking back at us. He is quite well hidden. As a regular walker, I am fascinated by how much landscapes change at different times of day and in different seasons and wanted to try and capture this ever changing reality. I also enjoy spotting the deer who are always there but are clever at hiding. I like the ambiguousness of this painting. It is inviting and yet odd and I find it much more interesting than a traditional landscape painting. It feels like a place that may have a portal to some other universe… White edges, does not need a frame, ready to hang. See video about it: https://youtu.be/G4XSmW_8qfc -
Realm of the Ravens is a 40x40x1.5 inches large oil painting of a flock of ravens in flight against a golden sunset behind winter trees. The background is blurred, semi abstract and slightly magical, whilst the ravens are carefully painted in the foreground to give a feeling of depth. The ravens flap and caw as ravens do and although they have a woodland behind them, they are also moving into another realm through the hint of veils which they pass through. One of the ravens is white and the rest reflect the colours that you can see in black ravens of blues, greens and deep violets. Ravens fascinate me as they follow you and report to each other when you are in their territory. A collection of ravens is apparently called a ‘conspiracy’ which seems apt sometimes especially as they seem to laugh at the antics of mammals and humans. The inspiration for this painting is the winter woodland I see around Sussex and the ravens themselves who definitely know something I don’t about the landscapes I walk in. The painting has white edges, is ready to hang, no frame needed. https://youtu.be/8nXcgvD0BHo -
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Epiphany is a large oil painting 40x40x1.5 inches in very thick Van Gogh type paint of a dark forest and a beautiful sunny clearing beyond it. -
Spring Orchard is an original oil painting of pink and white apple blossom trees in an orchard by a stream. The inspiration for the painting was of an orchard I found last May near Forest Row in Sussex. The style is contemporary, art nouveau and expressionistic was and was made by blending thick layers of paint over and over again and adding more and more colours and paint daubs until the paint is extra thick in the centre. I kept the edges blurred to help with the effect of it being a painting of a memory. The colours are pale greens, whites and pinks. This place was magical and I wanted to capture a little of the moment. I would not have been surprised to see mythical creatures appear in the fields beyond the stream but instead was happy just to listen to the birds who love May even more that I do. This painting is 30x30x1.5 inches and is painted on deep edge canvas, white edges, no frame needed. https://youtu.be/X1OsVWyDsOI -
Memory of Spring is a 40x40x1.5 inches large semi abstract oil painting of an English bluebell wood in springtime. It was inspired by the bluebells, wildflowers and pink blossom you see in patches of woodland around Sussex in April and May every year. Although it is contemporary in painting style, it still hints quite well at the flowers and yellow green saplings and trees of spring. It was painted from memory, as most of my landscapes are, as that tends to distill the composition and details right down to simplicities making the feeling of the painting and the magical element of forests and trees more prevalent than the botanical details. I love the fairy tale ancient landscapes of England and the magic quality you can find in forest clearings and fields and I never tire of trying to capture this fascination in the paintings that I make. The painting has white edges, ready to hang, no frame needed. https://www.youtube.com/watch?v=l1vLQRtLpnE -
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Forest Wraiths is a 48x36x1.5 inches large semi abstract oil painting of red deer in a pale forest. A stag and two female deer stand in a clearing in a mystical forest and seem to be winking in and out of existence. The colours are fresh and neutral and muted with white veils and pale yellows, lilacs and blues. The painting style is a fusion of art nouveau, traditional and abstract and was made by building lots of transparent layers of paint over each other with the aim of making the scene not quite of this world but not too far removed from it either. Deer have a way of appearing and then vanishing, especially in woods and forests and this idea is hinted at in this painting. I also wanted to catch an impression of light through the trees with a little touch of the gold of a sunset - though not in a 'realistic' way. It is more hint of different realities slightly overlapping each other to give an element of magic. I live near the Ashdown Forest so though I often see deer, always find it thrilling. Painted on deep edge canvas, white edges, ready to hang. -
Horse Metamorphosis is a 31.5 x 47x.0.5 inches large contemporary red oil painting of beautiful gold Arabian horse against an abstract bright red background. The golden horse dances in the foreground inside a dark forest with mottled light falling in patches on the path out towards the clearing. The path leads out of the woods and into a glowing summer wildflower meadow. Veils of transparent bright red hang over the scene as the horse begins to emerge from that world into a different one. The painting was started years ago simply to reflect the happiness I get when looking at a beautiful horse but become something more when the red veils were added which gives it a real presence. The original message of the painting was that there is more to life than hiding in the dark. I think now the message is more that there are other realities and that is worth exploring them. It is painted on thin edged canvas painted red, ready to hang. See Video: https://youtu.be/RadVPQOxiNo -
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Elusive-2 is a 36x48 inches large original oil on canvas of an autumn forest clearing with deer. The painting shows a stag and a doe blinking in and out of existence in a clearing in an autumn forest. The trees lead you into the painting and the deer wait in the misty clearing to transport you elsewhere. Deer are seen as messengers or spirit guides in many cultures and I do find them ethereal and very beautiful. I have no idea how people can shoot them. This painting is another in another in a series of large forest landscape deer paintings that are a tribute to the beautiful landscapes of Sussex, especially around the Ashdown Forest and the elusive deer that inhabit them. Deer have a magical way of appearing and then vanishing in the blink of an eye. It always takes my breath away when I come across them in a forest. This painting is atmospheric, abstract, art nouveau, expressionist, in style. It has deep edges, white, and is ready to hang. See video at: https://youtu.be/cjktPAEkI04 -
Sunrise/sunset, this work is in oils painted on pre-stretched canvas, 16″ x 12″ (42 x 29.5 cm) . Free UK shipping. This will be sent via mail courier, fully insured and packaged in double sided reinforced picture box, 16 returns are available providing that there is no damage on return, return time is 5 days from signed delivery.
