• Oil on canvas - 100 x 80 cm.
  • The Owls Wood

    $1,269.62
    The Owls Wood is 30x30x1.5 inches oil painting on canvas in contemporary art nouveau style of a white owl in an autumn wood. The painting shows a view along an autumn path through rows of trees vanishing in the distance. Autumn colours of greens, yellows, reds and oranges can be seen through white branches and the owl floats behind them in stealth mode as owls do. She is silent and deadly and beautiful and she owns this little forest. The paint is thick and luxurious and is reminiscent of stained glass. The painting started life as a more traditional autumn forest path painting but needed something extra so I added more as I like layers and the idea of things being hidden and then revealed. The painting is dedicated to owl lovers and anyone helping to keep our English forests ancient and beautiful and safe for their wildlife. It was inspired simply by how happy walks in Sussex landscapes make me and my quest to actually see a white barn owl in one of my walks which I am yet to do. https://youtu.be/z1yENZxLiqU
  • Part of an ongoing series of drawings of figures from antique postcards.
  • Acrylic, graphite, color pencil on 100% rag Rives BFK paper.
  • Mixed media drawing on Rives BFK 100% rag paper.
  • The Promise is a 40x40x1.5 inches large woodland bluebell abstract oil painting on deep edge canvas, white edges, ready to hang. The style is expressionist and abstract and was made using both blending techniques and thick impasto paint to give the impression of the colours and shapes of a forest clearing with bluebells and light through the trees behind them. The colours are muted blues, lilacs, greens and pinks and represent a memory impression of mine of bluebell woods in Sussex in Springtime. As with many of my woodland path and clearing paintings, there is a hint of the possibility of revelation and magic. That is because woodland walks always give me the feeling that magic exists and that I may find exactly what I want just around the next bend. Oil paint has the lovely quality of reflecting different textures and hues as the sun moves around the room. This one is no different and seems to act like a real woodland glade in April as the light changes and even though it is not 'realistic' as such, it nevertheless gives a definite feeling of the beautiful fleeting moment in Spring when bluebells flood the woodlands of England.
  • E THE PUDDLE | 25x11x8 | ceramics | 25x11x8 | ceramics
  • The Ravens Quest is a 40x40 inches large original oil painting on canvas of ravens flying high above a Sussex winter landscape intent on a quest. The style is slightly playful, semi abstract with lots of interesting shapes and bright art nouveau type colours. I often walk around in fields between Forest Row, and Hartfield, in Sussex, and there is a large rookery I often pass which fascinates me and inspired this painting. Ravens, crows and birds generally are the background sound many of us hear all the time but often do not register it as we blank it out - as we do traffic noise. However I can't help wondering what these intelligent birds are saying. Another influence to this painting was a story I saw in the news recently about a girl who receives gifts from crows when she feeds them. I am sure there is more to ravens and crows than we so far know and this is why this painting has a slightly mystical, fairy story narrative to it. I don't know what the ravens quest is but I am sure they have one! This painting is dedicated to birds - my life is better for them - and their continuous background chatter and song - I hear the Elbow song 'The Birds' as I look at it :-) Painted is on deep edge canvas with white edges and is ready to hang.
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    The return of the dutch elephants (@ Gouda) - 12-07-17

     

    Some time ago I saw a cloud that perfectly looked like a baby elephant. I got the idea to draw the canal realistally and transcend into a more abstract mid-section (trees in my roundism style) and end in a surrealistic scene, thus combining impressionism, realism, cubism, roundism and surrealism.

     

    Graphite pencil drawing (Pentel 0.5 mm, 3B) on Strathmore Bristol paper (21 x 29.7 x 0.1 cm - A4 format)

     

    Artist: Corné Akkers

     
  • The Revelation of Bettie Page (2018) In this painting I tried to work out some grand themes: sex and religion. There is nothing more to say about the ‘what’. About the ‘how’ I would like to mention Johannes Itten who spoke on balance in all sorts of contrasts so eloquently. I tried to balance the big themes and the details just like Jan van Eyck did in his famous painting ‘Madonna of Chancellor Rolin’. I always was fascinated by its mechanisms: the main theme of the Madonna worshipped by Rolin is the painting 1.0. For spectators who want to see more there is the painting 2.0: a landscape and a city full of activity but it does not interfere with the 1.0. This is what I wanted for my painting as well and I hope it it will serve as an hommage to the arts and crafts of the old masters in these days of artistic confusion all around us. Oil on wood panel (85 x 120 x 0.9 cm) Artist: Corné Akkers
  • Original oil on canvas 70 x 80 cm
  • This is a digital print based on the 4 individual prints of the Beatles from the Sgt pepper era The originals are A4 size and a limited edition This is 439mm x 286mm
  • A rural country scene at dawn showing early morning mist over a brook with swans, and a background of trees and a church silhouetted against a red sunrise. Very traditional - very English. This is an oil painting on canvas board ready for you to frame, and it measures 40cm x 50cm.  I am offering free postage and packing to anywhere in the UK together with a full money-back guarantee if not entirely satisfied.  (buyer pays return postage only).
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    The Shins (live@Paradiso) 20-04-17

     

    American band 'The Shins' performed at music temple 'Paradiso' at Amsterdam last 30th March 2017. I was there and was fascinated by the strong cubistic light triangles and the colour differences (yellow, purple, red).

     

    Graphite & colour pencil drawing (Pentel 0.5 mm, 3B & Derwent Coloursoft) on Canson Bristol paper (21 x 29.7 x 0.1 cm - A4 format)

     

    Artist: Corné Akkers

     
  • A snapshot inspired by the big skies and the Breckland countryside.
  • ainting: Oil, Acrylic, Airbrush on Canvas. In this work there is a large number of red, yellow, blue colors. This work will be a worthy decoration of your luxury home. This painting belongs to the series "Neo-Cubism" Neocubism is a modern trend in cubism, with its modifications and evolution. In this case, I present to you the work performed in my original author's technique. In the technique of Neo-cubism the main thing is to convey the emotion of flight that was inside me during the drawing of the picture. DETAILS * ARTIST: Valdem * TITLE: "The Sword in the Stone" * SIZE: 60 cm x 90 cm x 2 cm 24" x 35" x 0.8" * COLORS: Blue and white. * STYLE: Modern, Abstract, Neo-Cubism * CERTIFICATE OF AUTHENTICITY is included. * MEDIUM: Oils, Acrylic, Stretched Canvas, Varnish, Airbrush. * HAND PAINTED: Hand Painted Original Painting From My Art Studio! * SIGNED: Front and Back * Regular Side Stapled Stretched Canvas * Free Worldwide Shipping The painting comes to you already on the Regular Side Stapled Stretched Canvas. For a better view, you can use a frame suitable for your interior and the picture itself. Turning to the workshop that is in your city, you can choose the best frame of your choice. I carefully coat all my works with varnish in order to give glossiness and enhance the saturation of work. Thus the work becomes more resistant to sunlight, water and mechanical damage. Caring for such works is quite simple. It is enough to take a soft cloth, wet and wash the work without strong pressure. Painting and objects of art is one of the most durable things in the world and for decades the work of varnished remains unchanged.
  • Original oil on canvas 100 x 80 cm
  • The Victim

    $1,786.40
    50 x 100 cm February 2016 Acrylic paints on canvas
  • Out of stock
    The watchers in the forest is a very large original oil painting - 48x48x2 inches showing a walk through a rainbow forest with watching deer. The painting depicts a very vibrant woodland path that invites the viewer into it and because it is a large painting, does it quite effectively. The path leads through dark trees to the edge of the forest where there is a clearing that is so bright you cannot see what is in it. But whatever is in it, it is something you really want to be there. At the edge of the forest with the light behind them are deer and stags. They watch and wait as deer do. The paint is very thick and was made by building many thick layers of paint over each other over several months. The dark colour in not black but is a series of dark greens, blues, purples and magenta which can be seen changing as the sun moves around the room it is in. The contrast between the dark and light colours makes the painting shimmer like a stained glass window. This theme is one I come back to often, partly because I walk in alot of forests and see deer in them, and partly because forests thrill me and terrify me in equal measure. I often feel I will find something wonderful on coming out of a forest - if I do mange to get out of it. It feels like life - part danger - part thrill but always interesting...
  • Sale!

    The White Hart’s Portal

    $1,142.02
    The White Hart’s Portal is an original oil painting of a white deer stag appearing out of an abstract landscape (30x30x1.5 inches). The white deer looks to his right across the strange pale yellow and amethyst land. Behind him are trees that are weaving together as if they unknotted to allow him through. This is his portal (doorway) to elsewhere. The paint is thick and textured but the stag himself is carefully painted to contrast with the oddness of the environment he finds himself in. If I had to choose an animal that could possibly move between worlds, it would be deer. This particular deer is a real one and he lives at the British Wildlife Centre in Surrey where I stalked him one day to get photos of him. Painted on 3D canvas, edges white, ready to hang.
  • Linocut 24x30cm Original edition, numbered and signed (ed/30) - 2017 Printed with oil based ink on Opal paper 250gr
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