• A fishing boat in Newburyport, MA dockside with ice paddies between the hull and the dock'
  • Out of stock
    The watchers in the forest is a very large original oil painting - 48x48x2 inches showing a walk through a rainbow forest with watching deer. The painting depicts a very vibrant woodland path that invites the viewer into it and because it is a large painting, does it quite effectively. The path leads through dark trees to the edge of the forest where there is a clearing that is so bright you cannot see what is in it. But whatever is in it, it is something you really want to be there. At the edge of the forest with the light behind them are deer and stags. They watch and wait as deer do. The paint is very thick and was made by building many thick layers of paint over each other over several months. The dark colour in not black but is a series of dark greens, blues, purples and magenta which can be seen changing as the sun moves around the room it is in. The contrast between the dark and light colours makes the painting shimmer like a stained glass window. This theme is one I come back to often, partly because I walk in alot of forests and see deer in them, and partly because forests thrill me and terrify me in equal measure. I often feel I will find something wonderful on coming out of a forest - if I do mange to get out of it. It feels like life - part danger - part thrill but always interesting...
  • Dog at the sea

    Dog at the sea

    26,337.50
    Dog at the sea
  • Daily Painting 286/365 (15th October,2017) - Fresh growth, new layers, leaves and the ongoing notion of a smaller painting brought to a completed conclusion on every single day of 2017. Acrylic, brushwork, spray paint, marker pen, gloss varnish on canvas. 13cm x 13cm x 1cm The piece is available via mailorder, or can be viewed at my Hackney Studio by appointment, more details via www.seanworrall.net
  • SEAN WORRALL - "And Then There Were Four" - Fresh layers, new leaves, more growth. a painting that has been evolving over the last three years since the perfectly canvas was found abandoned out back of a charity shop in a skip with very little painted on it. Layers of leaves have been growing on it ever since. Acrylic, spray paint, marker pen, varnish on canvas, 75cm x 50cm (Feb 2017) The piece is available via mailorder, or can be viewed at my Hackney Studio by appointment, more details via www.seanworrall.net
  • SEAN WORRALL - Starz - Another One 5/6 (December 2018) - A series of six small canvas paintings all painted together, 10cm x 10cm x 1cm, acrylic, brushwork, spray paint, gloss varnish 0 and no, I don't have a star, the layers of stars are all hand-painted, someone said I was block printing them yesterday, no, all hand painted, layers and layers... Signed with a "s" on the front and fully signed and dated on the back. find out more via www.seanworrall.net
  • "A Leaf" - Acrylic on canvas, 20cm x 20xm (December 2018) = A leaf painted on a leaf shaped canvas, acrylic, brushwork, gloss varnish, many hand-painted layers of stars. 20cm x 20cm at the widest part of the leaf shape. Signed with the customary "S" on the front and full signed on the back. Find out more via www.seanworrall.net
  • Twilight Grace is a 40x40x1,5 inches large original oil painting of an art nouveau style landscape with a white owl. The landscape shows a winter forest scene with a white lake at the bottom and a white owl swooping down from the trees. She is the silent herald of twilight. I painted this in January when purple, yellow, orange and pink are often seen in the evenings as the sun is setting through the naked trees. I was trying to capture the exact moment when the last beam of sun falls through a forest which acts as a signal for owls to start hunting. I painted the barn owl very carefully as I wanted her to look pristine against the slightly odd background of winter trees and white veils that I used to try and show the transition between the day and the night. Painting on deep edge canvas with white edges, ready to hang on wall, no frame necessary.
  • Traditional oil on panel painting 16x20"
  • 30x40x1.5 inches red forest calls is a red oil painting made in a variety of rich reds, crimson, scarlet, yellow and purple. It is painted in art nouveau slightly abstract style and shows a red deer stag deep in a red forest while above and behind him some female deer call to him from the edge of the trees. There is a tentative message in this - females being the voice of reason when males get riled up maybe? but mostly it was painted because I love deer, I love red and I love deep dark forests. It is painted on deep edge canvas and the edges are also red. Framing not necessary.
  • Out of stock
    40x40x1.5 inches Monarchs of Spring is a large original oil painting on deep edge canvas with white edges. The monarchs are two red deer, a stag and a doe, who stand in the middle of a spring meadow full of white lacy flowers. Behind them is a tantalizing view of a field seen through the trees of yellow rapeseed flowers and glimpses of this yellow can be seen in a horizontal line all through the painting behind the deer. This was done for the very good reason that I like yellow and love seeing fields full of yellow flowers in Spring and summer. This painting was originally simply a landscape that I painted in May 2018 having been on a walk near Wadhurst in East Sussex through the deer park of a stately home there. I had wanted to reflect the abundance of the wildflowers and trees in meadows all over England during my favourite month. However when I looked at the painting later I realized I needed to add two of the deer. The painting is semi abstract, slightly art nouveau in style and is painted in muted tones of greens, lilacs, yellows and white.
  • A continuation of my vineyard series of painting, this from the Loire Valley, France. Vibrant red leaves in the Fall season.
  • Out of stock
    Lost in the light is a 40x40x1.5 inches large semi abstract oil painting in golden yellow and purple showing stags and deer in the light of a sunset. A herd of deer stand silhouetted in a forest clearing where golden autumn light shines through the trees behind them distorting their shapes. It is more abstract than my usual style but I quite like it as it was a good capture of how things actually look to me when I take my glasses off. I like the fact that I can still recognize what I am seeing but it is blurred and shimmering and more other worldly somehow. This painting was a bit of a wrestling match as has been over painted a few times in my quest to get it how I wanted it. However, this means it has lots of lovely thick paint and texture and has given it a presence it would not have had otherwise! It is painted on deep edge canvas, white edges, ready to hang.
  • "The dream of the butterfly". The technique used is GRAPO.
  • The body 3

    608,923.00
    A painting called "The body 3". The technique used is GRAPO.
  • The body 2

    503,889.05
    A painting called "The body 2". The technique used is GRAPO.  
  • The body1

    69,214.95
    A painting called "The body 1". The technique used is GRAPO.
  • Out of stock
    Woodland Souls Winter Landscape with deer is a 40 x 40 x 1.5 inches large original oil painting on canvas in art nouveau, impressionist, semi abstract style. The colours are predominantly white, fawn, cream and pastel pinks, blues, lilacs and yellow. The edges are white and deep edge meaning no frame is needed. The painting shows two red deer, a stag and a doe appearing out of a winter forest with the suggestion of snow and winter trees behind them. They behave in that typical way that deer do when you come across them by chance, by standing and looking at you curiously but tensed and ready to flee. Sometimes all you have to do is blink and they will turn tail, flash their white behind's at you, and vanish into the trees that they they know so much better than you do. This is a recurring theme for me to paint for the excellent reason that I see deer almost every time I go walking in Sussex or Kent and it always thrills me to see how such a large animal can appear and disappear so easily. What I try to do when painting such a scene is to paint the background by memory alone, as that tends to be a good impression, but without too many details. Then I like to put in the deer who I start by painting in a traditional way, drawing on 20 years portrait painting experience, and then partly abstracting them.
  • An old vine, grown into a distressed, broken down wall in the town of Poce sur Cisse, France.
  • Bluebell symphony is very large original oil painting on canvas (48x48 inches) of a Spring woodland painted in a semi abstract, impressionist style. As it is a large painting, it gives the viewer the feeling that they can walk into this golden Spring wood with its bluebells and wildflowers and green trees and follow the sunlight path out to the fields beyond. A glowing yellow stag can be seen near the path looking at us imperiously as stags do. He is a guide to somewhere wonderful but is assessing our intentions before he leads us forward. In the foreground to the left is a large tree which sets the perspective for the rest of the painting. The bluebell flowers and leaves are painted in a semi abstract style which by their colours and positions hint at what they are but in an ambiguous way. This is because when I painted this it was from memory and I remember impressions and colours and motions but not details. I like it this way as it gives a transient feel which is what I wanted to capture here as that is what bluebell season is. For many people it is their favourite season (including mine) and I am happy to have painted a place where I can escape to a Spring woodland among the trees and flowers whenever I have had enough of an English winter... It is 1.5 inches think, edges white, frame not necessary, ready to hang.
  • Children at the beach with seagulls
  • Three haystacks

    26,337.50
    Landscape with three haystacks
  • Out of stock
    This painting is an eyecatching painting, painted with acryl in fluor colours. Ready to hang on your wall.
  • Winter landscape

    26,337.50
    Winter landscape
  • Out of stock
    30x40x1.5 inches original oil painting of a spellbound white owl in a summer meadow. It was painted because I dream of seeing an owl in the wild but have never managed it so decided to create one by magic instead. A shaft of golden light beams vertically upwards highlighting a white barn owl in its path. Owls have a way of moving silently over their landscapes and appearing and disappearing very quickly. The owl looks beautiful and ghostly against a wall of deep blue green trees and below her you can see red and yellow wildflowers and lush green grass with summer light shining through the gaps in the trees behind the the meadow. This painting has a fairy story feel to it though I don't know what the story is. I just wanted a painting that had some drama that celebrates the richness of summer meadow. It was painted after a walk I tool near Groombridge in Sussex where I found a row of conifers with foxgloves and wildflowers outlined against them. Painted on deep edge canvas painted a dark blue green - no frame needed, ready to hang.
  • Sale!

    The little winged and the flower

    42,140.00
    O pequeno alado e a flor O pequeno alado e a flor - Peso: 5 kg - tamanho: 45 largo por 58 acrílico alto em madeira - ano 2014
  • A 30x30 woodland path abstract landscape painting in rainbow colours. This painting was painted after a walk I took near Glyndebourne in East Sussex. It was a beautiful clear autumn day and the path was lined with trees glowing yellow, red, purple and green in the low autumn sun. This path led up to a steeper path that eventually goes to the top of the South Downs. I tried to capture my impression of the place in an abstract, possibly expressionist style using very thick wet oil paint and I worked into (wet into wet) over the course of two days. I wanted to capture the low angle of the sun and the impression of the light through the leaves picking out glimpses of ivy on the ancient trees, ferns and leaves in autumn golds and greens. I was very pleased with the result as it gives a satisfying flavour of the scene and how I felt being there rather than trying to be traditionally realistic. I love paths such as these as I always imagine something fantastic being about to be discovered just around the corner. Sometimes I am rewarded with a glimpse of a deer or fox but usually a view through trees to another world keeps me very happy.
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